A

Adams, Dominic Barnaby, 2022, Thesis, The continuous body: Emergence, authority and expiation in the oeuvre of Georges Bataille PhD thesis, Royal College of Art.

B

Berry, Josephine, 2022, Journal Article, The agency of (planetary) feeling e-flux, 2022 (127). pp. 1-8. ISSN 2164-1625

Biglino, Giovani, Layton, Sofie, Hamer, Alastair, Milano, Elena Giulia, Caputo, Massimo and Wray, Jo, 2022, Journal Article, Interdisciplinarity and patient engagement: New representations of cardiovascular anatomy Reviews in Cardiovascular Medicine, 23 (11). pp. 1-7. ISSN 2153-8174

Blackshaw, Gemma, Baluch, Sohaila, Fraser, Marita, Heidorn, Nora and Hermon, Rosie, eds. 2022, Book, I care by... Research Communiqués . Royal College of Art, London, UK. ISBN 978-1-8383543-3-6

Blees Luxemburg, Rut, ed. 2022, Book, Future archive Folium Publishing, London, UK. ISBN 9781914552984

Borowicz Richardson, Anja, 2022, Thesis, Sculpting with object-gestures: An everyday working gesture as an artistic proposition and a space to reimagine material resonances PhD thesis, Royal College of Art.

Boyd, Jonathan, 2022, Show, Exhibition or Event, Emergent dialogues of the topophillic line Item availability may be restricted.

Boyd, Jonathan, 2022, Book Section, I can't even string a sentence together DIE MYSTERIEN DER ZEICHEN. Arnoldsche Publishing, Germany, pp. 176-193. ISBN ISBN 978-3-89790-670-9

Brachlow, Heike, 2022, Show, Exhibition or Event, Colour Connections

Brimfield, Mel, 2022, Show, Exhibition or Event, From this world, to that which is to come

Burkardt, Svetlana, 2022, Thesis, Value creation: Russian and Chinese oil painting markets 1980s-2018 PhD thesis, Royal College of Art.

C

Cheang, Sarah, 2022, Book Section, Being Chiang Yee: Feeling difference and storytelling In: Bevan, Paul, Witchard, Anne and Zheng, Da, (eds.) Chiang Yee and his circle: Chinese artistic and intellectual life in Britain, 1930-1950. Hong Kong University Press, Hong Kong, pp. 37-50. ISBN 9789888754137

Chiu, Pao-Chen, 2022, Thesis, Translating erasure: Proposing auto-theory as a practice for artistic enquiry and analysis while comprehending personal grief PhD thesis, Royal College of Art.

Chong Kwan, Gayle, 2022, Thesis, Imaginal Travel: political and ecological positioning through fine art practice PhD thesis, Royal College of Art.

D

de Cordova, Denise, Bealing, Nicola, Chapman, Jake and Dinos, Marsh, Simon, Scott, Rebecca, Woods, Mark and Francisco, Goya, 2022, Show, Exhibition or Event, A modern capricho

de Cordova, Denise, Cumber, Marice, MacCarthy, Kathy and Nguyen, Rosa, 2022, Show, Exhibition or Event, Form and vessel

de Cordova, Denise, Pace, Kim L, Le Bas, Delaine, Thomas, Jennet, Treacy, Danny, Zits, Johannes, Kingston, Angela and Steventon, James, 2022, Show, Exhibition or Event, Treewilder

de Cordova, Denise and Tassie, Nicola, 2022, Show, Exhibition or Event, Grounding

F

Ferguson, Catherine, Coutts, Nicky, McLean, Wendy and Renshaw, Tim, 2022, Show, Exhibition or Event, Flat

G

Garfield, Rachel ORCID: https://orcid.org/0000-0003-4747-4150 and Miller, Henry K ORCID: https://orcid.org/0000-0001-5255-3764, 2022, Book, Dwoskino: The gaze of Stephen Dwoskin LUX, London. ISBN 978-0-9928840-86

Golden, Pamela, 2022, Show, Exhibition or Event, Phantom creeps

J

Jackson, Melanie, 2022, Show, Exhibition or Event, Spekyng Rybawdy

Judd, Ben, 2022, Show, Exhibition or Event, The push & the pull Item not available from this repository.

K

Kawash, Ameera, 2022, Thesis, Digital aftercares: Digital retooling for agency, value, and co-vulnerability as artistic practice PhD thesis, Royal College of Art. Item availability may be restricted.

Kirsten, Robin, 2022, Thesis, Museum of Infinite Relations: Artists’ spaces, worlds and models of the universe PhD thesis, Royal College of Art.

Klingler, Johanna, 2022, Thesis, The pre-material: Potentials of the infrastructural as applied form MPhil thesis, Royal College of Art.

Kollectiv, Pil and Kollectiv, Galia, 2022, Show, Exhibition or Event, The Dead - United!

Kollectiv, Pil and Kollectiv, Galia, 2022, Show, Exhibition or Event, Do they owe us a living?

M

Millar, Jeremy, 2022, Journal Article, Celebrating 50 years of “Ways of Seeing” Frieze Magazine (227). p. 154. ISSN 0962-0672 Item not available from this repository.

Millar, Jeremy, 2022, Show, Exhibition or Event, Self portrait as a drowned man (The willows), (2011) Item not available from this repository.

Millar, Jeremy, 2022, Book Section, ‘…there is an ecstatic mechanism in birds that makes them fly upwards in spite of worms…’ Hagoromo: Massimo Bartolini. Nero Produzioni, Rome. ISBN TBC (In Press) Item not available from this repository.

Murray, Liz, 2022, Thesis, Performing resistance: The Greenham Common Women’s Peace Camp as artwork PhD thesis, Royal College of Art.

O

Oakley, Peter ORCID: https://orcid.org/0000-0002-7876-8402, 2022, Printed Publication, SMICI case study 1: ASGM certification programmes

Oakley, Peter ORCID: https://orcid.org/0000-0002-7876-8402, 2022, Journal Article, Searching for pure gold: The impact of ethical gold sourcing certification programmes in the UK and Switzerland Environmental Science & Policy, 132. pp. 101-108. ISSN 1462-9011

Oakley, Peter and Lardeur, Rebecca, 2022, Printed Publication, SMICI case study 13: Urban forestry

Oakley, Peter ORCID: https://orcid.org/0000-0002-7876-8402 and Lardeur, Rebecca, 2022, Printed Publication, SMICI case study 6: Precious plastics

Oakley, Peter, Mock, Roberta, Findley, Jules, Jansen, Itandehui, Bauer, Siobhan, Lardeur, Rebecca and Macdonald, Emily, 2022, Printed Publication, Sustainable materials in the creative industries: A scoping report for the AHRC (Redacted Version)

Offeh, Harold, 2022, Show, Exhibition or Event, We Came Here

R

Ram, Rosie, 2022, Thesis, Image as method: Nigel Henderson and the art of research PhD thesis, Royal College of Art.

Rees, Alison, 2022, Thesis, Turning the page: A new dimension to the language of ceramics with reference to wayfaring, porcelain paperclay and the archetype of the paper page PhD thesis, Royal College of Art.

Rojkowska, Joanna, 2022, Thesis, An analysis of the motifs of light and shadow in Arabesque (Germaine Dulac, 1929), Pharmacy (Franciszka and Stefan Themerson, 1930) and Wavelength (Michael Snow, 1967) in the context of an associated practice-based research project PhD thesis, Royal College of Art.

S

Satz, Aura, 2022, Show, Exhibition or Event, She recalibrates

Satz, Aura ORCID: https://orcid.org/0000-0003-2179-0868 and London, Barbara, 2022, Printed Publication, Aura Satz: A complex marriage of human and machine, interview by Barbara London

Singh, Charan, 2022, Thesis, Going sideways: The poetics of queer-becoming in India PhD thesis, Royal College of Art.

Smith, Bridget, 2022, Thesis, Realising the unreal: Swedenborg, photography and vision(s) PhD thesis, Royal College of Art.

Staton, Sarah, 2022, Show, Exhibition or Event, Fish, Forest, Fowl

Staton, Sarah, 2022, Show, Exhibition or Event, SupaVenezia from SupaStore: Between art, commerce, and spatial dynamics

T

Tatham, Joanne and O'Sullivan, Tom, 2022, Show, Exhibition or Event, The indirect exchange of uncertain value

V

Valles Vilchez, Laura, 2022, Book Section, As if it were a harp In: Valles Vilchez, Laura and Enguita, Nuria, (eds.) Teresa Lanceta. Weaving as Open Source. MACBA Museu d’Art Contemporani de Barcelona and IVAM Institut Valencià d’Art Modern, Barcelona, Spain, pp. 15-270. ISBN 978-84-17593-21-6

Valles Vilchez, Laura, 2022, Thesis, ‘Curatela’: Towards an unhurried politics of attention in post-representational curating PhD thesis, Royal College of Art.

Valles Vilchez, Laura, 2022, Book Section, Outside witness. On the historical reception of the Potosí Principle In: Creischer, Alice and Siekmann, Andreas, (eds.) Potosí Principle Archive. Walther König, Köln. ISBN 9783753302096

Z

Zacharopoulou, Despina, 2022, Thesis, SPATIUM MONSTRORUM: Performance-as-surface PhD thesis, Royal College of Art.

Å

Ådahl, Anna, 2022, Thesis, Inside the postdigital crowds: The aesthetics and politics of the mediation and governing of digitised crowds PhD thesis, Royal College of Art.