A

Acosta, Ignacio ORCID: https://orcid.org/0000-0001-8603-6810, Purbrick, Louise and Ribas, Xavier, 2023, Show, Exhibition or Event, Trafficking the Earth Item not available from this repository.

Adami, Elisa, 2019, Thesis, Writing history under erasure: radical historiographical practices in Lebanese postwar art PhD thesis, Royal College of Art.

B

Blees Luxemburg, Rut, 2012, Show, Exhibition or Event, The Forum, Night: Friend or Foe

Blees Luxemburg, Rut, 2018, Printed Publication, LONDON & NEW YORK by ALVIN LANGDON COBURN, THE FOLIO SOCIETY Essay BY RUT BLEES LUXEMBURG

Blees Luxemburg, Rut, 2019, Book, The Lesson of the Vine : Die Lektion Der Rebe The Lesson of the Vine series . Everyday Press, London. ISBN 9781912458073

Blees Luxemburg, Rut, 2018, Conference or Workshop, A Manifesto for Darkness by Rut Blees Luxemburg at Ten ideas for the London Public Space Charter in the Night Time, London, 23-24 January 2018.

Blees Luxemburg, Rut, 2013, Show, Exhibition or Event, Scharf Belichted – Objects of Desire in an Ethnographic Collection

Blees Luxemburg, Rut and Duttman Garcia, Alex, 2014, Show, Exhibition or Event, The Academic Year

Broach, Zowie, 2017, Journal Article, Part Rabbit, Part girl, Part Hole The September Issues, 1 (1). pp. 140-143. ISSN 2514-6947

Broach, Zowie and Kirkby, Brian, 2014, Show, Exhibition or Event, The Liquid Game

Butler, Alice ORCID: https://orcid.org/0000-0001-9834-2102, 2025, Book, Close writing: Kathy Acker, Cookie Mueller, and love-in-pieces Duke University Press, Durham, North Carolina. ISBN forthcoming (In Press) Item availability may be restricted.

Butler, Alice Elisabeth ORCID: https://orcid.org/0000-0001-9834-2102, 2024, Book Section, 'Everything she touched she owned’: Kathy Acker’s sick clothes and kleptomaniac close writing In: Sheleg, Moran, (ed.) Lifework: On the autobiographical impulse in contemporary art, writing, and theory. Manchester University Press, Manchester, pp. 106-141. ISBN 9781526172471 Item availability may be restricted.

Butler, Alice Elisabeth ORCID: https://orcid.org/0000-0001-9834-2102, 2023, Journal Article, Sick women correspondents: Practices of care in cross-historical love letter writing MAI: Feminism & Visual Culture. 0-0. ISSN 2003-167X

C

Carolin, Clare, 2013, Book, The Museum of Forbidden Testimonies: Afghan War Veterans Club, Alytus, Lithuania TBC. (Unpublished)

Costello, Criodhna, 2015, Thesis, The Continuous View, Practices of Attraction in the Moving Image PhD thesis, Royal College of Art.

Coutts, Nicky, 2017, Show, Exhibition or Event, My Previous Life as an Ape

Coutts, Nicky and Taylor, Finlay, 2014, Show, Exhibition or Event, Printmare Against Nature

D

Dare, Eleanor, 2012, Book Section, Black Boxes and God-Tricks: an Account of Using Medical Imaging Systems to Photograph Consciousness in the Context of a Digital Arts Practice In: Aceti, Lanfranco, Jefferies, Janis, Papadimitriou, Irini, Munro, Jonathan and Şahin, Özden, (eds.) Touch and Go, Leonardo Electronic Almanac, Volume 18 Issue 3. Leonardo Electronic Almanac, 18 (3). Leonardo Electronic Almanac: MIT Press, London, pp. 60-71. ISBN 978-1-906897-18-5 Item not available from this repository.

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Fatehrad, Azadeh, 2016, Thesis, Photography, desire and resistance in the lives of women, following the 1979 revolution in Iran PhD thesis, Royal College of Art.

Faust, Chantal, 2016, Journal Article, The Masochistic Pulse SALT. Feminism and Contemporary Art, 8. pp. 42-45. ISSN 978-3-945247-18-1

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Gluzberg, Margarita, 2011, Show, Exhibition or Event, The Consumystic Lecture (Unpublished)

J

Johannesson, Asa, 2020, Thesis, The queering of photography: A generative encounter PhD thesis, Royal College of Art.

Jones, Sarah, 2016, Show, Exhibition or Event, Animality: Animals and Art

Jones, Sarah, 2016, Show, Exhibition or Event, Cabinet (Spiral)

Jones, Sarah, 2015, Show, Exhibition or Event, Double Take: Photography and the Garden

Jones, Sarah, 2009, Art or design object, Drawing Studio (I) – 8 Photographs

Jones, Sarah, 2016, Show, Exhibition or Event, Implosion 20

Jones, Sarah, 2013, Show, Exhibition or Event, New Pictures 8

Jones, Sarah, 2013, Book, Sarah Jones (monograph) Violette Editions, London, UK. ISBN 9781900828437

Jones, Sarah, 2016, Show, Exhibition or Event, Sarah Jones / Solo Exhibition (s)

Jones, Sarah, 2014, Show, Exhibition or Event, Sarah Jones' work as part of the exhibition 'The Marseillaise(s)/ 15 years of collecting' (with catalogue)

Jones, Sarah, 2012, Show, Exhibition or Event, Seduced By Art: Photography Past and Present Curated by Hope Kingsley and Chris Riopelle (with catalogue)

Jones, Sarah, 2008, Show, Exhibition or Event, Solo Exhibition

Jones, Sarah, 2008, Journal Article, Still Life Frieze Magazine (116). pp. 198-203. ISSN 0962-0672

Joseph-Lester, Jaspar, 2017, Book Section, (Re)Turning to the image In: Aßman, S. at al., (ed.) Wenden: Interdisziplinäre Perspektiven auf das Phänomen. Springer VS, Wiesbaden. ISBN 978-3-658-14804-1

Järdemar, Cecilia, 2016, Thesis, Photography and the face: the quest to capture the contained PhD thesis, Royal College of Art.

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Kaasa, Adam, Wiesner, Jessica and Coutts, Nicky, 2023, Show, Exhibition or Event, Weather stop fic­tion stop Item not available from this repository.

Kennard, Peter, 2014, Show, Exhibition or Event, Demo Item not available from this repository.

Kim, Vicky, 2021, Thesis, The production of the subject through space, architecture and image PhD thesis, Royal College of Art.

Kular, Onkar, 2009, Printed Publication, Accept No Other Imitations

L

Lass, Julian, 2020, Thesis, A witness's gesture PhD thesis, Royal College of Art.

Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485, 2022, Book Section, Duchenne’s frontispiece: Idealised facticity and the politics of photographic double portraiture In: Bartsch, Tatjana, Bockmann, Ralf, Pasieka, Paul and Röll, Johannes, (eds.) Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Beiträge zur Geschichte der Archäologie und der Altertumswissenschaften, 3 . Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4

Leister, Wiebke, 2016, Book, Echoes & Afterlives Fieldstudy, 22 . Photography and the Archive Research Centre, University of the Arts London.

Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485, 2018, Show, Exhibition or Event, 'Echoes and Callings'

Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485, 2024, Show, Exhibition or Event, Serpent symbolisms 3: A performative intervention

Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485 and Tarbard, Katy, 2024, Conference or Workshop, Serpent symbolisms 2: an interactive inquiry at Serpent symbolisms 2: an interactive inquiry, The National Gallery, London, UK, 22 Mar 2024.

Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485 and Thorpe, Ashley, 2023, Journal Article, Wiebke Leister - Echoes and callings Source: Thinking Through Photography, summer (111). pp. 30-39. ISSN 1180-1158

Lomax, Yve, 2017, Conference or Workshop, You are looking at something that never occured: event, example—photographic image at Slowness, Staging and Post-Truth, Zabludowicz Collection, London, 23 June 2017. Item not available from this repository.

M

Millar, Jeremy, 2022, Journal Article, Celebrating 50 years of “Ways of Seeing” Frieze Magazine (227). p. 154. ISSN 0962-0672 Item not available from this repository.

Millar, Jeremy, 2023, Printed Publication, Detail and whole, movement, colour, and form Item not available from this repository.

Millar, Jeremy, 2011, Show, Exhibition or Event, Resemblances, Sympathies, and Other Acts

Mu, Ruidi, 2019, Thesis, Strange phantoms and fictitious dreamlands: art, life and me PhD thesis, Royal College of Art.

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Pacteau, Francette, 2011, Journal Article, Out of the Past (Dr Selwyn) Photographies, 4 (1). pp. 17-26. ISSN 1754 0763

Pacteau, Francette, 2019, Book Section, Small bites In: Woolley, Dawn, (ed.) Consumed: Still Lives. Leeds Arts University/Ffotogallery, Leeds, UK, pp. 23-30. ISBN 978-1-872771-48-9 Item not available from this repository.

Pasquier, Edith, 2019, Thesis, Discourses of photography in the Victoria and Albert Museum collection: the living bird PhD thesis, Royal College of Art.

Potter, Jessica, 2013, Thesis, The Photograph as a Site of Writing PhD thesis, Royal College of Art.

R

Richon, Olivier, 2018, Show, Exhibition or Event, Aka Yagara. After Jun'ichiro Tanizaki

Richon, Olivier, 2009, Show, Exhibition or Event, Anima(l)

Richon, Olivier, 2017, Journal Article, Anima(l) After JBS Chardin Tierstudien, 11 (1). pp. 141-150. ISSN 2193-8504, ISBN 978-3-95808-129-1

Richon, Olivier, 2011, Conference or Workshop, Art and Science - Perspectives for Art Academies at Vorsicht Wagnis (beware: risk), Hochschule für bildende Künste, Braunschweig, Germany, 9-11 Nov 2011. (Unpublished)

Richon, Olivier, 2010, Art or design object, Ellipsis – 10 photographic works

Richon, Olivier, 2014, Show, Exhibition or Event, Foreign Exchange (or the stories you would not tell a stranger)

Richon, Olivier, 2016, Show, Exhibition or Event, Images Littéraires (Literary Images)

Richon, Olivier, 2010, Show, Exhibition or Event, Le Bestiaire Imaginaire

Richon, Olivier, 2016, Show, Exhibition or Event, Still Life. The Pleasure of Stopping Time

Richon, Olivier, 2008, Show, Exhibition or Event, Stillleben und Tiere

Richon, Olivier and Knorr, Karen, 2013, Book, Punks GostBooks, London. ISBN 978-0-9574272-6-6

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Satz, Aura, 2014, Art or design object, Her Luminous Distance

Schwab, Michael, 2008, Thesis, Image Automation: Post-Conceptual Post-Photography and the Deconstruction of the Photographic Image PhD thesis, Royal College of Art.

Skatulski, Armelle, 2023, Thesis, Archive sub-versions: Photography, the accident, and the biopolitics of extraction PhD thesis, Royal College of Art.

Smith, Bridget, 2022, Thesis, Realising the unreal: Swedenborg, photography and vision(s) PhD thesis, Royal College of Art.

Sommer, Bjorn ORCID: https://orcid.org/0000-0003-1514-9898, 2021, Journal Article, Hybrid stereoscopic photography - Analogue stereo photography meets the digital age with the StereoCompass app Electronic Imaging, 2021 (2). pp. 1-10. ISSN 2470-1173

Soutter, Lucy, 2011, Book Section, "Dial 'P' for Panties: Narrative Photography in the 1990s (with a New Afterword by the Author)" In: Grant, Catherine and Waxman, Lori, (eds.) Girls! Girls! Girls! in Contemporary Art. Intellect, Bristol, UK/ Chicago, USA, pp. 45-61. ISBN 978-1-84150-348-6 Item not available from this repository.

Soutter, Lucy, 2013, Book, Why Art Photography? Routledge, London. ISBN 9780415577342

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Taylor, Finlay, 2016, Show, Exhibition or Event, Viva La Vida

Teichmann, Esther, 2011, Thesis, Falling into photography on loss desire and the photographic PhD thesis, Royal College of Art.

Thallon, Norma-Louise, 2011, Thesis, The Relationship between the Visual and the Verbal within a Comedic Moment: After the laughter PhD thesis, Royal College of Art.

Triggs, Teal, 2022, Book Section, Signs of the everyday, every day In: Dyer, James and Deakin, Nick, (eds.) Graphic Events: A Realist Account of Graphic Design. Onomatopee number 223 . Onomatopee, Eindhoven, The Netherlands, pp. 129-145. ISBN 978-9493148666 Item availability may be restricted.

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Valles Vilchez, Laura, 2020, Journal Article, Mind the gap. Fissures and prospects of an impossible consensus. Archiving in Spain’s contemporary arena Photographies, 13 (1). pp. 137-151. ISSN 1754-0763

Valles Vilchez, Laura, ed. 2021, Book, Myths of the near future TEA Tenerife Espacio de las Artes, Tenerife, Canary Islands. ISBN 978-84-949656-5-4

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Wilson, Jane and Wilson, Louise, 2016, Show, Exhibition or Event, Future Ruin

Wiltshire, Hermione, 2016, Book Section, A note on the photographs Birth in Focus: Stories and photos to inform, educate and inspire. Pinter & Martin, London, UK, p. 15. ISBN 978-1-78066-235-0

Woolley, Dawn, 2017, Thesis, Consumed: stilled lives and the pathologies of capitalism PhD thesis, Royal College of Art.

Shaughnessy, Adrian, ed. 2008, Book, Cover Art By Laurence King, London. ISBN 978-1-85669-527-5 Item not available from this repository.

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Young, Sharon, 2023, Thesis, Once more with feeling: A reinvention of ‘hysteria’ using photography, performance, and autofiction PhD thesis, Royal College of Art.