Coutts, Nicky, 2017, Book Section, Animal Print Suicide In: 21st Century Print (Working Title). Manchester University Press, Manchester. ISBN tbc (Submitted)
|Abstract or Description:||
'Animal Print Suicide' is a 1,600 word text initially written for 'Printmare: Against Nature' a show curated by Finlay Taylor at Camberwell Space (2014). It has now been revised for the forthcoming Manchester University Press anthology of writings ‘21st Century Print’.
Coutts’ illustrated essay looks at the discipline of Printmaking into the future. Its focus is on the multiplicity of the printmaker as reflected in the multiplicity of the print itself. Examples of mimetic practices and ideologies are used to expand on questions of the positioning of the printmaker in relation to their images, and in turn that of the viewer. ‘Animal Print Suicide’ looks to Hélène Cixous’s writings on vets and their sometimes over-identification with the animals they treat as analogous to the repeated image inhabiting and influencing their maker. Elias Canetti’s studies of animals and masks, and Hito Steyerl’s probing of the vantage point of the viewer, as our digital platforms become ever more complex, are also re-evaluated. As print techniques become more viable for 3D applications, and therefore result in objects with a persuasive physical presence, Coutts argues that it is becoming increasingly difficult to discern where the print ends and the world begins or vice versa.
|Subjects:||Creative Arts and Design > W100 Fine Art
Creative Arts and Design > W100 Fine Art > W140 Printmaking
Creative Arts and Design > W800 Imaginative Writing
|School or Centre:||School of Fine Art|
|Date Deposited:||12 Dec 2016 11:37|
|Last Modified:||12 Dec 2016 11:37|
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