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  • Items where Subject is W140 Printmaking

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Number of items at this level: 55.

A

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Ash, Jesse, 2017, Book, Avoidance - Avoidance Museo Marino Marini. ISBN tbc (In Press) Item availability may be restricted.

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  • [thumbnail of Veza Maria Fernandes Ramos as Mary and Johannes Screttle as Ted. Photo: thomasraggam.com]
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  • [thumbnail of Performance shot (Veza Maria Fernandes Ramos). Photo: thomasraggam.com]
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  • [thumbnail of A Universal Construction (Digital Film transferred from 16mm, Limestone). Photo: thomasraggam.com]
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  • [thumbnail of Plaster sculptures. Photo: thomasraggam.com]
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Ash, Jesse, 2014, Show, Exhibition or Event, Avoidance-Avoidance (script 10)

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  • [thumbnail of Djin Sganzerla as 'Mary' in 9th iteration of Avoidance-Avoidance]
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  • [thumbnail of Djin Sganzerla as 'Mary' and Eduardo Mossi as Ted]
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Ash, Jesse, 2014, Show, Exhibition or Event, The Two Scene

B

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Brown, Steve R, 2013, Conference or Workshop, Material matrixes: Building on a history of improvisational developments in print technology at Impact 8, Borders & Crossings: The Artist as Explorer, University of Dundee, 28 August–1 September 2013.

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Brown, Steve R, 2013, Book Section, The materiality of print: Issues of artifice and integrity relating to the printed ceramic surface Surface Tensions: Surface, Finish and the Meaning of Objects. Manchester University Press.. ISBN 9780719087516

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Brown, Steve Royston, 2010, Thesis, The Physicality of Print PhD thesis, Royal College of Art.

C

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Carolin, Clare, 2010, Show, Exhibition or Event, The Seven Day Weekend/Le Weekend de Sept Jours

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Coutts, Nicky, 2018, Book Section, Animal Print Suicide In: Pelzer-Montada, Ruth, (ed.) Perspectives on contemporary printmaking: Critical writing since 1986. Manchester University Press, Manchester. ISBN 978-1-5261-2575-0

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  • [thumbnail of Text for 'Coated in Pre-existence' – a collective exhibition and publication curated by Elizabeth XI Bauer]
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Coutts, Nicky, 2016, Book Section, 'A Distance of Stones' In: Damiani, Giulia and Goldberg, Keren, (eds.) Coated in Pre-existence. Elizabeth XI Bauer: A platform for Art and Criticism, London, pp. 24-31. ISBN N/A

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Coutts, Nicky, 2016, Conference or Workshop, Future Print Story at Tokyo University of the Arts, Kyoto City University of the Arts, Japan, 14-24 April 2016. (Unpublished)

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Coutts, Nicky, 2017, Show, Exhibition or Event, My Previous Life as an Ape

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Coutts, Nicky, 2015, Book Section, Preface In: Zhou, Jian, (ed.) Intersecting Practices of Contemporary Printmaking in the UK. China Academy of Art Press, China, pp. 2-5. ISBN N/A

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Coutts, Nicky and Taylor, Finlay, 2014, Show, Exhibition or Event, Printmare Against Nature

I

  • [thumbnail of PHD Thesis Miya Itabashi 2008.pdf]
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Itabashi, Miya, 2008, Thesis, The reception of Japanese prints and printmaking in Britain, 1890s - 1930s PhD thesis, Royal College of Art.

J

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Jewell, Dick, 2016, Journal Article, Archevist Archevist, TWO (1). pp. 76-100. ISSN 2048-9927

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Jewell, Dick, 2015, Show, Exhibition or Event, Print in the Post- Print, 1st China Art Academy Printmaking Biennial

M

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Matthews, Bob, 2008, Show, Exhibition or Event, Garden Ruin - Bob Matthews. Face Yourself - Bob Matthews.

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Matthews, Bob, 2011, Show, Exhibition or Event, Utopias - Bob Matthews

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Millar, Jeremy, 2010, Book, Every Day is a Good Day: The Visual Art of John Cage Hayward Gallery Publishing, London. ISBN 978-1853322839

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Millar, Jeremy, 2010, Show, Exhibition or Event, Every Day is a Good Day: The Visual Art of John Cage

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Mirsky, Ronit, 2018, Thesis, An absent present: a personal journey through public commemoration MPhil thesis, Royal College of Art.

O

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O'Riley, Tim, 2010, Book, Accidental Journey Ponsonby Press, London. ISBN 9780956228604

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O'Riley, Tim, 2011, Journal Article, Chance and Improbability Flusser Studies, 12. ISSN 16615719

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O'Riley, Tim, 2020, Book, Endlessness Peter Foolen Editions, Eindhoven, NL. ISBN 9789490673284 Item availability may be restricted.

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O'Riley, Tim, 2021, Journal Article, Endlessness Printmaking Today, 30 (117). p. 23. ISSN 0960-9253

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O'Riley, Tim, 2021, Other, Endlessness at BABE 2021 Arnolfini and Centre for Fine Print Research, UWE Bristol, Bristol, UK.

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O'Riley, Tim, 2014, Book Section, Exactitude and Uncertainty In: Harrison, Paul Liam, Shemilt, Emile and Watson, Arthur, (eds.) Borders & Crossings: the artist as explorer. Duncan of Jordanstone College of Art & Design, Dundee. ISBN 1899837701

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O'Riley, Tim, 2010, Journal Article, (From) A to B (and back) Printed Project (13). pp. 18-23. ISSN 16494075

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O'Riley, Tim, 2017, Journal Article, M.C Escher Print Quarterly, XXXIII (4). ISSN 0265-8305 (In Press)

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O'Riley, Tim, 2023, Show, Exhibition or Event, Prix Bob Calle du livre d’artiste

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O'Riley, Tim, 2021, Other, Publications Note Print Quarterly, London, UK.

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O'Riley, Tim, 2016, Art or design object, Speculative Objects

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O'Riley, Tim, 2018, Show, Exhibition or Event, Tailspin [Of Average Sunlight]

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O'Riley, Tim, 2013, Book, Twenty-Seven Kilometres Revolver, Berlin. ISBN 9783868952940

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O'Riley, Tim, 2016, Journal Article, The Unassimilable Image Flusser Studies, e-journal (22). pp. 1-14. ISSN 1661-5719

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O'Riley, Tim, 2011, Journal Article, A discrete continuity Journal of Research Practice, 7 (1). ISSN 1712851X

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Pendrell, Luke and Pollard, Alexander James, 2022, Book, Aleister Crowley and Charles Dawson: The order of the Dawn Man Cut it out press, Hastings, UK. ISBN 978-0-9553168-3-8

R

  • [thumbnail of This research considers the ways in which digital, networked technologies influence contemporary everyday life and creative practice.]
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Rahaim, Margaret, 2015, Thesis, Material-Digital Resistance: Toward a Tactics of Visibility PhD thesis, Royal College of Art.

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Rahaim, Meg, 2018, Art or design object, Reciprocal Space

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Robins, Freddie, 2018, Conference or Workshop, Collected - used and abused at In the Loop @ 10, University of Southampton, UK, 19 - 20 July 2018.

S

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Stockham, Jo, 2010, Residency, 2010 Xi'an International Print Workshop and Exhibition

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Stockham, Jo, 2010, Show, Exhibition or Event, Fathom

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Stockham, Jo, 2018, Book Section, Image Capture, an exercise in self thinging In: Chance, Veronique and Ganley, Duncan, (eds.) re:PRINT. visual theory . Marmalade Publishers of Visual Theory, Cambridge, UK, pp. 24-35. ISBN 9780993337321

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Stockham, Jo, 2015, Book Section, Negligent Eye Proceedings of the International Printmaking Conference. China Academy of Art Press, pp. 291-300. ISBN 978-7-5503-0957-9

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Stockham, Jo, 2014, Show, Exhibition or Event, The Negligent Eye

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Stockham, Jo, 2015, Show, Exhibition or Event, Participation in IMPACT 9: Intersecting Practice of Contemporary Printmaking in UK

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Stockham, Jo, 2016, Book Section, Please interrupt me: copy, cut, paste, share International Print Biennale 2016. Northern Print, Newcastle, pp. 12-15. ISBN 978-0-9927842-1-8

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Stockham, Jo, 2015, Conference or Workshop, Shape Shifting at CAA Conference, New York, USA, 12-14 Feb 2015.

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Stockham, Jo, 2010, Show, Exhibition or Event, and then again......

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Stockham, Jo, Hall, Michael and Gilloch, Graeme, 2017, Show, Exhibition or Event, Ghost

Stockham, Jo, Saunders, Gill and Pye, Matty, 2009, Conference or Workshop, Print in 3D at Print in 3D, The Hochhauser Auditorium, Sackler Centre, V&A., 20 March 2009. Item not available from this repository.

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Taylor, Finlay, 2014, Show, Exhibition or Event, 'Out of the Blue' and 'Into the Black',

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Taylor, Finlay, 2014, Show, Exhibition or Event, against Nature

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Taylor, Finlay, 2016, Show, Exhibition or Event, millimetre Projects

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Taylor, Finlay, Raj Shah, Vaibhav and Miranda-Bilbao, Jasone, 2017, Show, Exhibition or Event, Horizon: Against Nature. The great Grandmother: a rope as long as a wolf. Good work: a rope as long as a flying fish flight

This list was generated on Thu Dec 5 10:27:14 2024 UTC.