Jewell, Dick, 2016, Journal Article, Archevist Archevist, TWO (1). pp. 76-100. ISSN 2048-9927
O'Riley, Tim, 2011, Journal Article, Chance and Improbability Flusser Studies, 12. ISSN 16615719
O'Riley, Tim, 2021, Journal Article, Endlessness Printmaking Today, 30 (117). p. 23. ISSN 0960-9253
O'Riley, Tim, 2017, Journal Article, M.C Escher Print Quarterly, XXXIII (4). ISSN 0265-8305 (In Press)
O'Riley, Tim, 2016, Journal Article, The Unassimilable Image Flusser Studies, e-journal (22). pp. 1-14. ISSN 1661-5719
O'Riley, Tim, 2011, Journal Article, A discrete continuity Journal of Research Practice, 7 (1). ISSN 1712851X
Brown, Steve Royston, 2010, Thesis, The Physicality of Print PhD thesis, Royal College of Art.
Itabashi, Miya, 2008, Thesis, The reception of Japanese prints and printmaking in Britain, 1890s - 1930s PhD thesis, Royal College of Art.
Mirsky, Ronit, 2018, Thesis, An absent present: a personal journey through public commemoration MPhil thesis, Royal College of Art.
Rahaim, Margaret, 2015, Thesis, Material-Digital Resistance: Toward a Tactics of Visibility PhD thesis, Royal College of Art.
Brown, Steve R, 2013, Book Section, The materiality of print: Issues of artifice and integrity relating to the printed ceramic surface Surface Tensions: Surface, Finish and the Meaning of Objects. Manchester University Press.. ISBN 9780719087516
Coutts, Nicky, 2018, Book Section, Animal Print Suicide In: Pelzer-Montada, Ruth, (ed.) Perspectives on contemporary printmaking: Critical writing since 1986. Manchester University Press, Manchester. ISBN 978-1-5261-2575-0
Coutts, Nicky, 2016, Book Section, 'A Distance of Stones' In: Damiani, Giulia and Goldberg, Keren, (eds.) Coated in Pre-existence. Elizabeth XI Bauer: A platform for Art and Criticism, London, pp. 24-31. ISBN N/A
Coutts, Nicky, 2015, Book Section, Preface In: Zhou, Jian, (ed.) Intersecting Practices of Contemporary Printmaking in the UK. China Academy of Art Press, China, pp. 2-5. ISBN N/A
O'Riley, Tim, 2014, Book Section, Exactitude and Uncertainty In: Harrison, Paul Liam, Shemilt, Emile and Watson, Arthur, (eds.) Borders & Crossings: the artist as explorer. Duncan of Jordanstone College of Art & Design, Dundee. ISBN 1899837701
Stockham, Jo, 2018, Book Section, Image Capture, an exercise in self thinging In: Chance, Veronique and Ganley, Duncan, (eds.) re:PRINT. visual theory . Marmalade Publishers of Visual Theory, Cambridge, UK, pp. 24-35. ISBN 9780993337321
Stockham, Jo, 2015, Book Section, Negligent Eye Proceedings of the International Printmaking Conference. China Academy of Art Press, pp. 291-300. ISBN 978-7-5503-0957-9
Stockham, Jo, 2016, Book Section, Please interrupt me: copy, cut, paste, share International Print Biennale 2016. Northern Print, Newcastle, pp. 12-15. ISBN 978-0-9927842-1-8
Ash, Jesse, 2017, Book, Avoidance - Avoidance Museo Marino Marini. ISBN tbc (In Press) Item availability may be restricted.
Millar, Jeremy, 2010, Book, Every Day is a Good Day: The Visual Art of John Cage Hayward Gallery Publishing, London. ISBN 978-1853322839
O'Riley, Tim, 2010, Book, Accidental Journey Ponsonby Press, London. ISBN 9780956228604
O'Riley, Tim, 2013, Book, Twenty-Seven Kilometres Revolver, Berlin. ISBN 9783868952940
Pendrell, Luke and Pollard, Alexander James, 2022, Book, Aleister Crowley and Charles Dawson: The order of the Dawn Man Cut it out press, Hastings, UK. ISBN 978-0-9553168-3-8
Brown, Steve R, 2013, Conference or Workshop, Material matrixes: Building on a history of improvisational developments in print technology at Impact 8, Borders & Crossings: The Artist as Explorer, University of Dundee, 28 August–1 September 2013.
Coutts, Nicky, 2016, Conference or Workshop, Future Print Story at Tokyo University of the Arts, Kyoto City University of the Arts, Japan, 14-24 April 2016. (Unpublished)
Robins, Freddie, 2018, Conference or Workshop, Collected - used and abused at In the Loop @ 10, University of Southampton, UK, 19 - 20 July 2018.
Stockham, Jo, 2015, Conference or Workshop, Shape Shifting at CAA Conference, New York, USA, 12-14 Feb 2015.
Ash, Jesse, 2014, Show, Exhibition or Event, Avoidance-Avoidance (script 10)
Ash, Jesse, 2014, Show, Exhibition or Event, The Two Scene
Carolin, Clare, 2010, Show, Exhibition or Event, The Seven Day Weekend/Le Weekend de Sept Jours
Coutts, Nicky, 2017, Show, Exhibition or Event, My Previous Life as an Ape
Coutts, Nicky and Taylor, Finlay, 2014, Show, Exhibition or Event, Printmare Against Nature
Millar, Jeremy, 2010, Show, Exhibition or Event, Every Day is a Good Day: The Visual Art of John Cage
O'Riley, Tim, 2023, Show, Exhibition or Event, Prix Bob Calle du livre d’artiste
O'Riley, Tim, 2018, Show, Exhibition or Event, Tailspin [Of Average Sunlight]
Stockham, Jo, 2010, Show, Exhibition or Event, Fathom
Stockham, Jo, 2014, Show, Exhibition or Event, The Negligent Eye
Stockham, Jo, 2015, Show, Exhibition or Event, Participation in IMPACT 9: Intersecting Practice of Contemporary Printmaking in UK
Stockham, Jo, 2010, Show, Exhibition or Event, and then again......
Stockham, Jo, Hall, Michael and Gilloch, Graeme, 2017, Show, Exhibition or Event, Ghost
Taylor, Finlay, 2014, Show, Exhibition or Event, 'Out of the Blue' and 'Into the Black',
Taylor, Finlay, 2014, Show, Exhibition or Event, against Nature
Taylor, Finlay, 2016, Show, Exhibition or Event, millimetre Projects
Taylor, Finlay, Raj Shah, Vaibhav and Miranda-Bilbao, Jasone, 2017, Show, Exhibition or Event, Horizon: Against Nature. The great Grandmother: a rope as long as a wolf. Good work: a rope as long as a flying fish flight
Stockham, Jo, 2010, Residency, 2010 Xi'an International Print Workshop and Exhibition
O'Riley, Tim, 2021, Other, Endlessness at BABE 2021 Arnolfini and Centre for Fine Print Research, UWE Bristol, Bristol, UK.
O'Riley, Tim, 2021, Other, Publications Note Print Quarterly, London, UK.