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Andr, Be, 2024, Thesis, Painting in the age of technological reproducibility: Re-establishing sensuousness via the complexity of System of Emergent Touch (SET) PhD thesis, Royal College of Art.
Baker, Daniel, 2011, Thesis, Gypsy Visuality: Alfred Gell's art nexus and its potential for artists PhD thesis, Royal College of Art.
Cojanu, Cristina, 2013, Thesis, Arabesque: Recovered Fragments of What Could Have Been a Novel of Manners PhD thesis, Royal College of Art.
Feinson, Nadine, 2011, Thesis, Blot: The Material Conditions of Appearance in Painting MPhil thesis, Royal College of Art.
Forrester, Shannon, 2024, Thesis, The reparative turn in painting: Monstrous interventions in art and identity studies PhD thesis, Royal College of Art. Item availability may be restricted.
He, Yifei, 2020, Thesis, Contemporary Chinese painting and the studio: When and where does a painting practice begin and end? PhD thesis, Royal College of Art.
Jhaveri, Shanay, 2016, Thesis, The journey in my head: cosmopolitanism and Indian male self-portraiture in 20th century India: Umrao Singh Sher-Gil, Bhupen Khakhar, Ragubhir Singh. PhD thesis, Royal College of Art.
Jones, Sarah, 2015, Thesis, Moving Slowly or Not at All PhD thesis, Royal College of Art.
Kontis, Georgios, 2020, Thesis, Authenticity: Painting ontologies & the threatening image PhD thesis, Royal College of Art.
Mathus, Miguel, 2018, Thesis, Monochrome and trace in contemporary painting PhD thesis, Royal College of Art.
Palin, Thomas (Tom), 2018, Thesis, The condition of painting: reconsidering medium specificity PhD thesis, Royal College of Art.
Peasnall, Eve, 2013, Thesis, PAINTING BACKWARDS or how my fool encountered the melancholic PhD thesis, Royal College of Art.
Rock, Neal, 2017, Thesis, Herm as askesis: prosthetic conditions of painting PhD thesis, Royal College of Art.
Rojkowska, Joanna, 2022, Thesis, An analysis of the motifs of light and shadow in Arabesque (Germaine Dulac, 1929), Pharmacy (Franciszka and Stefan Themerson, 1930) and Wavelength (Michael Snow, 1967) in the context of an associated practice-based research project PhD thesis, Royal College of Art.
Smith, David Cyrus, 2016, Thesis, Neutral doing: intended objects MPhil thesis, Royal College of Art.
Sparkes, Emily, 2024, Thesis, Painting after the internet: Networked materialities PhD thesis, Royal College of Art.
Thorp, Juliet, 2012, Thesis, DARWIN’S DREAM: The Significance of Painting and its Collection at the Royal College of Art 1948-1998 MPhil thesis, Royal College of Art.
Zeiss, Richard, 2016, Thesis, Pure Materiality in the Painted Linguistic Turn MPhil thesis, Royal College of Art.
Slyce, John, 2016, Book Section, Werner Büttner and the Melodic Tactics of Subversive Affirmation: an Introduction Werner Büttner: Coincidence in Splendour. Black Dog Publishing Limited, London, UK, London, UK, pp. 241-243. ISBN 978-1-910433-75-1
Ash, Jesse, 2017, Book, Avoidance - Avoidance Museo Marino Marini. ISBN tbc (In Press) Item availability may be restricted.
Ash, Jesse, 2020, Book, Avoidance-Avoidance Sternberg Press, Berlin, Germany. ISBN 978-3956794285 Item availability may be restricted.
Millar, Jeremy, 2010, Book, Every Day is a Good Day: The Visual Art of John Cage Hayward Gallery Publishing, London. ISBN 978-1853322839
Kular, Onkar, 2009, Printed Publication, Accept No Other Imitations
Golden, Pamela, 2015, Conference or Workshop, We Need to talk about Painting at Panel discussion at Chelsea College of Arts, London, 26 May 2015.
Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485 and McCormack, Catherine, 2024, Conference or Workshop, Serpent symbolisms 1: From mythological rage to biblical wrath at Serpent symbolisms 1: From mythological rage to biblical wrath, The National Gallery, London, 16 Feb 2024.
Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485 and Tarbard, Katy, 2024, Conference or Workshop, Serpent symbolisms 2: an interactive inquiry at Serpent symbolisms 2: an interactive inquiry, The National Gallery, London, UK, 22 Mar 2024.
Mottram, Judith, 2015, Conference or Workshop, Aesthetic Models and Perceiving Paintings at Tenth International Conference on the Arts in Society: “The Work of Art in the Age of Networked Society”, Imperial College, London, 22-24 July 2015.
Staton, Sarah, 2018, Conference or Workshop, Where Plato Taught - Academiae Biennial 2018 at 2nd Biennale Academiae, Bolzano, Italy, 3 Jul - 31 Oct 2018.
Golden, Pamela, 2023, Art or design object, Commission - Stella Villares for the wedding of José Manuel Barroso
Ash, Jesse, 2014, Show, Exhibition or Event, Avoidance-Avoidance (performance -script 10)
Ash, Jesse, 2014, Show, Exhibition or Event, Avoidance-Avoidance (performance- script 8)
Ash, Jesse, 2014, Show, Exhibition or Event, Avoidance-Avoidance (script 10)
Ash, Jesse, 2014, Show, Exhibition or Event, Is That Crystal Clear or Did I say Too Much? (Avoidance-Avoidance script
Ash, Jesse, 2014, Show, Exhibition or Event, The Two Scene
Carolin, Clare, 2010, Show, Exhibition or Event, The Seven Day Weekend/Le Weekend de Sept Jours
Curran, Fiona, 2014, Show, Exhibition or Event, Detail
Curran, Fiona ORCID: https://orcid.org/0000-0002-7146-5222, 2021, Show, Exhibition or Event, Jump Cut, Still Life
Curran, Fiona, 2015, Show, Exhibition or Event, Promise of Palm Trees
Ferguson, Catherine, 2023, Show, Exhibition or Event, Green spaces: New paintings by Catherine Ferguson
Gluzberg, Margarita, 2008, Show, Exhibition or Event, The Money Plot
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Golden, Pamela, 2013, Show, Exhibition or Event, Pamela Golden Auction Paintings
Golden, Pamela, 2013, Show, Exhibition or Event, Participation in Group Exhibition 'Works with Paper: More Than I Dare to Think About'
Golden, Pamela, 2015, Show, Exhibition or Event, Participation in Group Exhibition “I never thought I’d see you again”: Painting History
Golden, Pamela, 2013, Show, Exhibition or Event, Participation in group exhibition 'Cowboy Style'
Golden, Pamela, 2022, Show, Exhibition or Event, Phantom creeps
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Kiaer, Ian, 2009, Show, Exhibition or Event, What Where
Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485, 2024, Show, Exhibition or Event, Serpent symbolisms 3: A performative intervention
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Millar, Jeremy, 2010, Show, Exhibition or Event, Every Day is a Good Day: The Visual Art of John Cage
Staton, Sarah, 2019, Show, Exhibition or Event, Fish Finger Sandwich, Cubitt
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Staton, Sarah, 2018, Show, Exhibition or Event, London Railings
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Staton, Sarah, 2024, Show, Exhibition or Event, Wonderful 2024
Staton, Sarah, 2024, Show, Exhibition or Event, The masses 2024
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Strutton, John, 2009, Show, Exhibition or Event, Strutton, J. (2009) Donderslag. Domobaal, London. 27 March – 9 May 2009.
Strutton, John, 2011, Show, Exhibition or Event, Strutton, J. (2011) No Epitaph Needed. Caroline Gardens Chapel, London. 4-6 November 2011.
Strutton, John, 2011, Show, Exhibition or Event, Strutton, J. (2011) The Tyranny of Grammar. Fishmarket Gallery, Northampton. 12 March – 20 April 2011.
Talbot, Emma, 2018, Show, Exhibition or Event, Emma Talbot @ Nicolas Krupp
Talbot, Emma, 2017, Show, Exhibition or Event, Open Thoughts
Talbot, Emma, 2017, Show, Exhibition or Event, Stained With Marks Of Love
Talbot, Emma, 2018, Show, Exhibition or Event, Unconscious Narrative, painted silk hanging in Virginia Woolf, an exhibition inspired by her writings, Tate St Ives
Taylor, Finlay, 2016, Show, Exhibition or Event, millimetre Projects
Taylor, Finlay, Raj Shah, Vaibhav and Miranda-Bilbao, Jasone, 2017, Show, Exhibition or Event, Horizon: Against Nature. The great Grandmother: a rope as long as a wolf. Good work: a rope as long as a flying fish flight
Thomasson, Edward, 2023, Show, Exhibition or Event, Endless love
Thomasson, Edward and Charlotte, Harding, 2023, Show, Exhibition or Event, Grace and harmony
Ashworth, Joan, 2013, Other, Locating Sylvia Pankhurst: Unfreezing time in the paintings and texts of Sylvia Pankhurst using documentary animation UNSPECIFIED.