Conceived as a visual love letter (of sorts) to the deep woods, the exhibition is the result of walking, often alone, in the forest spaces of British Colombia, Canada, visiting First Nation and Settler communities as part of an ongoing preoccupation with wildness and remoteness. Through her work, de Cordova considers how the idea of the female figurative sculpture can express landscape narratives, intercultural exchange and blended identities that draw upon European and non -European sources which allude to terra mater mythologies.