Leister, Wiebke ORCID: https://orcid.org/0000-0003-0050-6485,
2025,
Conference or Workshop,
Conference: Archäologische Grundbegriffe - Maske
Paper: Traurige Raserei, ängstliche Wut: Maskenfunktion, emotionale Gegensätze und Fotografierbarkeit im japanischen Nohtheater
at Sad Frenzy, Fearful Rage: Mask Function, contrasting opposites and Photographability Using the Example of the Hannya in Japanese Noh Theatre, University of Erlangen-Nuremberg / Wassersaal der Orangerie, Schlossgarten 1, 91054 Erlangen, 13-14 Feb 2025.
Abstract or Description: | Paper: Conference: The archaeological concept ›mask‹ refers to specific object genres: theatre masks, ancestral masks, mask images, mask models. The mask opens up our view of concepts, rituals and processes associated with these objects. Secondly, the concept of the mask refers to a fundamental anthropological and technological phenomenon. It refers to that curious group of odd entities that interpose themselves between subject and object, between human and human, and between human and machine: images and screens, masks and surfaces, faces and interfaces, curtains and windows. We are particularly interested in the dual nature of such instances. Masks conceal, disguise, obscure — and at the same time they mediate, translate, explain. |
---|---|
Official URL: | https://www.klassischearchaeologie.phil.fau.de/mas... |
Subjects: | Other > Historical and Philosophical studies > V400 Archaeology Creative Arts and Design > W400 Drama Creative Arts and Design > W600 Cinematics and Photography > W640 Photography |
School or Centre: | Research & Innovation |
Funders: | DFG Priority Programme 2172 ›The Digital Image‹ |
Uncontrolled Keywords: | Mask; Noh Theatre; Hannya; unphotographability |
Date Deposited: | 17 Mar 2025 13:55 |
Last Modified: | 17 Mar 2025 13:56 |
URI: | https://researchonline.rca.ac.uk/id/eprint/6360 |
![]() |
Edit Item (login required) |