This chapter speculates about photographs that act as potential fields of projection, inviting imaginary processes through which a sense of otherness and lived experience enters into the image. Processes through which the photograph becomes other-than-itself. Using a performative style of writing, the essay directs questions at its readers to involve them into a conversation about viewing photographs as mental, remembered, and imaginary images alike. Actual photographs are reinterpreted by inscribing them with internalized images. Expanded self-portraits are moulded and contextualized with latent images stored in our visual memory. The chapter argues that these kinds of non-referential photographs are simultaneously imbued with seemingly paradoxical faculties—object-ness and image-ness, here-ness and there-ness, now-ness and then-ness—which can be used to test the attachability and elasticity of the image.