Livia Rezende
Contact
profile_image:
My Latest
- Rezende, Livia Lazzaro, 2010, Thesis, The Raw and the Manufactured: Brazilian Modernity and National Identity as Projected in International Exhibitions (1862–1922) PhD thesis, Royal College of Art.
- Rezende, Livia, 2017, Journal Article, Manufacturing the raw in design pageantries: the commodification and gendering of Brazilian tropical nature at the 1867 Exposition Universelle Journal of Design History, 30 (2). pp. 122-138. ISSN 0952-4649
- Rezende, Livia, 2015, Book Section, The Artifice of Nature and the Naturalisation of the State at the 1922 Rio de Janeiro International Exhibition In: Filipová, Marta, (ed.) Cultures of International Exhibitions 1840-1940: Great Exhibitions in the Margins. Ashgate, Farnham, UK, pp. 163-182. ISBN 978-1-4724-3281-0
- Rezende, Livia, 2016, Book Section, Of Coffee, Nature and Exclusion: Designing Brazilian National Identity at International Exhibitions 1867 & 1904 In: Fallan, Kjetil and Lees-Maffei, Grace, (eds.) DESIGNING WORLD: National Design Histories in an Age of Globalization. Berghahn, Oxford, pp. 259-273. ISBN 978-1-78533-155-8
- Rezende, Livia, 2014, Book Section, Designing the state at Brazil’s Independence Centennial International Exhibition In: Farias, Priscila and Atkinson, Paul, (eds.) Design Frontiers. Territories, Concepts, Technologies. Editorial Designio, Mexico, pp. 79-89. ISBN 978 968 5852 456
- Rezende, Livia, 2014, Book Section, Beyond natural beauty, bounty and national boundaries: actualising the debate on the “Brazilian Contemporary” in art, architecture and design In: Faust, Chantal, (ed.) Prova 2. Royal College of Art, London, pp. 26-30. ISBN 9781910642030
My Most Viewed
