For the 2024 Glass Biennial I produced this artwork through an experimental process which I have developed over a number of years and that lays down a vast sequence of glass powders controlled through my own unique hand printmaking methods and an adapted kiln-printer. The result of this method is a deep glass printed object. The artwork is compossed of a number and variety of these objects influenced by fictioned instruments. The accompanying gallery text is here: -

‘So much about how we imagine and experience existence is unknown to us.
amic and glass. We invent tools and seek ways to be a part of the deep time and space in which we briefly inhabit. All is invention: colours made up in our minds as our star's light is absorbed or reflected by reflective and translucent materials such as glass. These colours are never seen as the same at different times of the day or by different organisms. This piece is a set of instruments to engage transcendence to the imaginary realm released through the infinite arraying of fictioned hues’