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  • Orgasmic Streaming Organic Gardening Electroculture

Shani, Tai, 2018, Show, Exhibition or Event, Orgasmic Streaming Organic Gardening Electroculture

Abstract or Description:

A group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events programme of historical and contemporary works. Newly commissioned and existing works will intersect with an array of archival material located in Carolee Schneemann's Parts of a Body House [1968-1972], from which the exhibition title derives, and Alison Knowles and Annea Lockwood's score anthology Womens Work [1975-8]. The Exhibition seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across visual art, sound and text. It also seeks to highlight these significant trans-historical sensibilities, whilst acknowledging their disjuncts. Each artist brings a particular method, procedure or interrogation to the act of writing or performing text, blurring descriptions such as text, score, work, performance, version and iteration.

Events:
TitleLocationDatesType
ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURELondon, United Kingdom25 April – 25 May 2018Mixed show
Subjects: Creative Arts and Design > W100 Fine Art
School or Centre: School of Arts & Humanities
Funders: Arts Council England, Chelsea College of Art
Date Deposited: 02 Jul 2018 10:33
Last Modified: 28 Nov 2019 15:27
URI: https://researchonline.rca.ac.uk/id/eprint/3518
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