As the title may suggest to some, this work is an assemblage of two prior works: the photograph Self-Portrait as a Drowned Man (1840) by Hippolyte Bayard, and 'The Willows' (1907), a short story by Algernon Blackwood. In this story (considered by HP Lovecraft the greatest supernatural story ever written) a man is found drowned and marked with small funnel-shaped indentations — 'That awful mark!' — made by an unknown supernatural being; the title of Bayard's photograph (considered by some the first conceptual art photograph) suggested the identity of the unfortunate victim. In a world where 'selfies' have become everyday expressions and ‘Britishness’ is being redefined, what is the role of self-portraiture and how has it shifted through the history of art to the present day? In this extraordinary new exhibition, Turner Contemporary becomes a frame through which self-portraiture is re-evaluated in the 21st century, sparking conversations on history, celebrity, collecting, gender, mortality and contemporary approaches. Artists have been recreating their own image for centuries. From self-advertisement and preserving legacy, to figurative studies, political commentary and biographical exploration self-representation, has shaped Western art.