A moving image work. The film centred around the use of colour in moving image technology, exploring the disorienting technicolour prismatic effects of the lamp house of a 35mm colour film printer. Through minute shifts across an abstract colour spectrum, punctuated by a mechanical soundtrack, the film evokes kaleidoscopic perceptual after-images (bringing to mind Paul Sharits, Dario Argento and the Wizard of Oz). Note: Natalie Kalmus was the ex-wife of technicolour inventor Herbert Kalmus, and was the colour consultant for hundreds of colour films. Exhibitions: solo show at Paradise Row (2013); solo show at Gallery 44 (Toronto, 2014); solo show at George Eastman Museum (Rochester NY, 2015); solo show at Clifford Gallery (Hamilton NY, 2016); group exhibition 'As Above, So Below: Portals, visions, demons & mystics', Irish Museum of Modern Art (Dublin, April-July 2017). Screenings: mini-retrospective at the Lincoln Centre, NY, as part of the New York Film Festival (2013); International Rotterdam Film Festival (2014); selected for international competition New Horizons International Film Festival (Poland 2014); Mini-retrospective screening, DIM Cinema, The Cinematheque (Vancouver 2015); Mini-retrospective at Whitechapel Gallery (London 2016); screening at 18th Bratislava International Film Festival (2016). Publications: ‘Reflections & Refractions’ Black Dog Publishing in association with Gallery 44, 2016, with essays by Esther Leslie, Genevieve Yue and Katherine McKay.