• Impossible Participation

Jordan, Mel, Beech, Dave and Hewitt, Andy, 2014, Book Section, Impossible Participation Interactive Contemporary Art: Participation in Practice. I.B.Tauris, London, UK, pp. 255-269. ISBN 978-1780765518

Abstract or Description:

The chapter critiques the rise of participation in art since the 1990s – a development that sees artists and curators searching continually for new and increased levels of audience inclusion. While there has been much discussion about what might be gained by participating in an artwork, we ask what might be lost by this act. We also question the extent to which participation is a useful social or aesthetic strategy in circumstances where it remains bound by the institutional structures of the artworld. For this reason, our work is an attempt to transform the broader ‘apparatus of art’ and to create works in which the roles assigned to individuals and groups remain fluid and subject to continuous negotiation. As a means of an attempt at resisting absorption into the institutional structures of the artworld, we privilege a form of participation that remains immanent in the work, but that never crystallizes into a single or definable role.
Kathryn Brown , art historian and editor of Interactive Contemporary Art, says, ‘It is, perhaps, a fitting end to the discussions of the present volume that the most interesting and valuable form of participation envisaged by Freee is one that must remain impossible.’

Subjects: Creative Arts and Design > W100 Fine Art
School or Centre: School of Arts & Humanities
Date Deposited: 11 Apr 2016 13:01
Last Modified: 09 Nov 2018 15:45
URI: https://researchonline.rca.ac.uk/id/eprint/1747
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