Baker, Camille, 2026, Book Section, Immersive art and embodiment: Emotional haptic and immersive XR storytelling In: Atkinson, Sarah, Bucknall, Joanna and Kennedy, Helen W., (eds.) Routledge Handbook of Immersive Arts & Media:. Routledge / Taylor & Francis, Oxford & New York.
| Abstract or Description: | For over 20 years, exploring digital embodiment has been critical to my practice, while the driving force has been exploring ways to provide a stimulating experience that engages as many senses as possible for participants, full-body sensory engagement has been the ultimate goal. Since 2018, I have been drawn to virtual reality as a means to tell very intimate and personal stories within encompassing, meaningful virtual environments. The aim has become to hold and support ‘immersants’ (Davies 2002), both physically and emotionally, while telling highly affecting stories. This chapter will discuss digital embodiment theory and knowledge on haptics that I have sought to underpin, alongside lived, artistic evolution to create emotional, embodied experiences within Extended Reality (XR), which, encompasses virtual reality, mixed reality, augmented reality, performance and interactive installation set ups. It also covers my approach and use of haptic devices to enhance narrative experiences, as well as providing insights for making such works in the future. |
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| School or Centre: | School of Communication |
| Funders: | INTER/her: An Intimate Journey Inside the Female Body was funded by the generous support of the Arts Council England National Lottery Fund - Arts Grants Fund 2020, and Research Funds of the University for the Creative Arts 2019–20, and in partnership with |
| Uncontrolled Keywords: | digital embodiment theory, haptics and XR experiences, narrative virtual experiences, insights on artistic processes |
| Date Deposited: | 05 Feb 2026 15:31 |
| Last Modified: | 13 Feb 2026 00:09 |
| URI: | https://researchonline.rca.ac.uk/id/eprint/6811 |
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